![]() ![]() If I recall correctly, just navigate to the slot you want to save to, then send the patch file via midi from a computer. Play some intermediate notes though, and the octave change is more effective.Īnyway, this can be sent to the Pro 3 the same way as any other patch. If you play an octave up or down legato style, it likely won't change the sound much. ![]() I find mine makes different sounds when it's cold than it does when it's warmed up. Other settings may need to be changed too, on a per-instrument basis. That's the "Note Num to Feedback Tune" in the mod matrix. It should be in tune for at least 3 octaves, but you may need to adjust the correction factor to match your individual instrument. With feedback up, long notes can fade and recover by using the pitch bend wheel. I recommend turning latch on for the touch strip, and experimenting with overlapping vs non-overlapping notes to build and break resonance. mess around with these to get different sounds. legato play style: change pitch but don't pluck string.but if you use it, I'd really like to hear what you make. and then there's also the other 95% of the Pro 3's features to explore. You can also adjust the brightness of each pluck with the filter cutoff knob, to simulate nylon or metal strings. then be careful to play legato (or not), and use aftertouch (or not), to add extra expression. Just use the touch slider, mod wheel, and pitch wheel. With this, you should have a nice, expressive Karplus Strong style instrument which can cover a ton of different sounds depending on how you play it. Sync On, Sync Freq 8, Feedback 110, LPF 140.Enable effect 1: DelayStereo, FX Mix 40.Increase the range which is in tune: Map Note Num to Feedback Tune, +2 (may require adjustment on each Pro 3).Enable Slider latch, and slide it to control whether note grows or fades over time.Enable Tuned Feedback: Amt +61, Tune 24 (Amt varies with temperature).Set the filter to state-variable lowpass, cutoff ~874, no resonance.Turn off all the oscillators in the mixer.Create an init patch (OctDown + Latch).I recommend doing it yourself instead of loading it over midi, because it may need to be tuned for your individual instrument. Mostly it can be fine-tuned with the touch slider though. You'll probably need to adjust the parameters a little though, because it seems to be pretty sensitive to differences in temperature, and may vary from one Pro 3 to another. In the next comment I'll post details about how to make this patch yourself. It's unfortunate that so few synths have this sort of thing. It's a really unusual feature, and a huge part of the Pro 3's sound. and almost no other hardware synths do this. All from a single, surprisingly simple, patch:Īlso a second demo, playing in a different style to show it more as an electric lead: Sometimes it sounds like a cello being bowed. Sometimes it sounds like an acoustic guitar. Here's a demo showing some of the various timbres and textures it can generate using only the performance controls. ![]() It's basically an entire acoustic instrument hidden inside the Pro 3. Just send a quick burst of noise to get the feedback circuit started, then play the feedback. It's ridiculously expressive and fun to play, even with all the oscillators turned off. So I told them the name of what they had created, and decided to mess with the idea myself. Someone on another forum mentioned "tuning" the noise generator using the feedback control, not realizing they had just reinvented Karplus Strong style physical modelling synthesis. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |